Tony Robert Cochran

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Category: Film

January 5, 2021January 5, 2021 nihologist

Start the New Year with the Cinema File

December 2, 2020December 2, 2020 nihologist

Horror in Color: Film Reviews, Remi Weekes’s (2020) His House & Ari Aster’s (2018) Hereditary

October 13, 2020October 13, 2020 nihologist

Film Review: Johnathan Glazer’s (2020) Strasbourg 1518

October 4, 2020 nihologist

Film Review: Anna Sofie Hartmann’s (2019) Giraffe

October 31, 2018October 31, 2018 nihologist

Film Review: Francis Lee’s (2017) God’s Own Country

May 8, 2018May 8, 2018 nihologist

Childish Gambino’s Adult Reminder: This is America

March 20, 2018March 20, 2018 nihologist

Film Review: Stanley Tucci’s (2017) Final Portrait

March 15, 2018March 15, 2018 nihologist

Film Review: Martin McDonagh’s (2017) Three Billboards Outside Ebbing, Missouri

March 13, 2018March 15, 2018 nihologist

Film Review: Paul Thomas Anderson’s (2018) Phantom Thread

Recent Posts

  • Karen Green Recor: The Unassuming Revolutionary Artist Returning Abstraction to Its Radical Roots January 31, 2021
  • A Pale Insurrection January 13, 2021
  • Start the New Year with the Cinema File January 5, 2021
  • Socks, Death & Life in 2020 December 29, 2020
  • Horror in Color: Film Reviews, Remi Weekes’s (2020) His House & Ari Aster’s (2018) Hereditary December 2, 2020

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